Bacurau
Release Date: March 6, 2020 (limited)
Directors: Kleber Mendonça Filho, Juliano Dornelles
Stars: Bárbara Colen, Thomas Aquino, Silvero Pereira, Sônia Braga
Genre: Drama, Science Fiction & Fantasy
Rating: NR
Runtime: 132 minutes
Brazilian directors Kleber Mendonça Filho and Juliano Dornelle’s Bacurau begins with a woman named Teresa (Bárbara Colen) being driven down a winding mountain road with sweeping swathes of lush greenery below. Suddenly, a splintered wooden casket appears in the middle of the asphalt. After the driver swerves to avoid it, there is another one. And another. Soon, broken caskets litter the entire road. The cause of the coffin calamity is revealed when Teresa sees that an open-back truck transporting caskets has collided into the mountainside, killing its passengers. The scene is oddly pleasant, though, as opportunists have quickly begun selling off the least damaged goods to a line of passersby, both seeming giddy about the exchange. Death is pervasive in the film, but it is often funny, and coincidentally Teresa is on her way to a funeral. Her grandmother—the beloved matriarch of Bacurau, a small Brazilian village where she grew up—has died. The entire town mourns her death, oblivious to the fact that their little village is slowly, literally, being erased from the face of the earth. Here, what has seemed like a horror film morphs into a weird Western that incorporates psychoactive flora, a seemingly benign history museum, and even an apparition or two. That’s not even counting the UFO. Bacurau is wildly creative, and its hilarious, Dadaist aura provides an uncanny comfort despite ample bloodshed. This is not to say that it’s without heart-wrenching loss and tearful contemplation of a world on fire. It’s clear that there is no space for moral ambiguity in this film. In reality, the Amazon is ablaze, rampant inequality festers and indigenous populations are displaced all for the net benefit of the ruling class. Bacurau is a long overdue neo-colonial revenge fantasy. —Natalia Keogan

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